March 5, 2014
Broken record? You have no idea! It’s been a while since I’ve blogged about something but there is a reason behind the dormant state of my blog. To sum it up in a jiff, I’ve been planning a new website for my business and I wanted to incorporate my blog with my new website. Something modern but to the point while showcasing what my company does – providing service for that niche jewelry market that I’m in. I look at this blog post as a precursor letting everyone who stumbles upon it that a few changes for the better are coming in the very near future.
Fresh Water Elephant? What the heck does that mean? I’m glad you asked. It’s a great topic starter for this blog involving some freshwater pearls that I’ve obtained. I don’t consider myself an artist, but for the sake of this particular blog, let’s just say that I am (even though I’ve been caught doodling and animating over the years). When you have this free-form freshwater pearl looking right at you, begging for someone to create something with it, you start to let your imagination wonder a bit. What does this pearl look like? What can I build around this pearl? You start sketching around it. You start Googling different variations of things. Okay, lets go animal kingdom with this odd looking pearl. You start to Google more images. A bird? A frog? An elephant? (as an aside I have done some stuff I’ve done with free-form pearls so keep a look out in the near future when my new website is launched.) So, I went with an elephant. Now we’ve got ourselves an elephant to design around this pearl. What part of the elephant? I know, let’s go and use the pearl as the head, legs and upper torso and I’ll build around that. I can’t CAD the around the elephant. It won’t be possible due to all the natural curves the CAD program won’t capture. So let’s do hand-carved wax. Keep it old school with this elephant. So I wax carved it by hand.
Not bad, right? So I wax carved the trunk, the ears, the feet and the tiny, cute, little tail for this tiny elephant. I also decided to give it a traditional cap so I can set some diamonds on top to make it a classy looking elephant. That section between the feet, I didn’t want to leave it empty so I added some sort of grass like bush to authenticate it with its typical surroundings. Now it’s time to carefully remove the wax off of the pearl and send it into casting. I was thinking 18 karat, yellow gold should do the trick.
Pretty cool I might add. This little guy, who’s a little larger than a quarter, is coming out great!
That little section which I like to call it’s baseball cap, we pave set some beautiful white diamonds and right underneath it, we bezel set a nice blue sapphire. It looks like a classier circus elephant. If you notice, I’ve marked with a sharpie a black mark with where I’m going to be drilling a tiny hole to give this elephant some sight.
So for the eyes, I cut a tiny ruby cabachon to accent the yellow, white, and blue undertones. I slightly oxidized the little holes and outer lines on the ears and feet to give it a little more depth in color contrast. I also added a hand made bail/jump ring for the chain to run through it.
Such a killer looking piece. It’s original, it’s mother natures giant beast at it’s best. So why not showcase this little guy with his friends, haha. It may look tacky to some but this pro shot of this elephant is awesome to me. Enjoy the details of this finished 18 karat, free-form freshwater pearl, dressed up as an elephant. I call these sort of pieces, ‘one-of-a-kind’ collector items.
Keep a look out for my brand new website and a more consistent flow of blogs. Cheers!
August 15, 2013
‘Spessartite Delight’? I love my tacky titles but there’s a hint of sarcasm to this one. Come to think of it, most of my blog titles carry a little hint of sarcasm. I also noticed that I rarely blog about something that isn’t a difficult and laborious process (Where’s the fun in that?). Regardless, I apologize for not releasing more blogs as I used to. I was just gathering up worthy items that I can share with you folks out there. So I get this ring into my shop, a yellow gold ring with a piece of onyx sitting flush on it. There was a little note attached explaining what needed to be done. My first thought was that I was going to be polishing life back into this onyx while keeping it flush. I wasn’t even close. Apparently, I was supposed to remove the onyx and cut a reddish-orange garnet in its place. I needed to find a large enough Garnet which I could butcher so I could strategically cut into this weird yet symmetrical area of the mounting. What I mean about butchering the stone is that the original, larger garnet that I find will lose lots of mass and end up having less resale value in order to achieve the shape desired. I ended up finding a 20x16mm, oval shaped Spessartite Garnet.
Before I continue, allow me to give you a brief backstory on this particular type of Garnet. It’s mostly found in Africa and is an individual mineral member of the Garnet group. Usually, they range from orange to red-orange. The one I used was closer to the red-orange spectrum. The unique colors are caused by the amount of iron impurities that are found in the stone. Spessartite Garnet has an awesome refractive index, giving the stone a special brilliance. When light hits the stone it dances around and gives it a sparkle that would keep you gazing at the stone in awe.
It’s pretty difficult to fathom the notion of shaving down a $700 stone (wholesale) just to attach it to a ring with little value (aside for its weight in gold). But when it comes to sentimentality and taste, opinions are left aside. I can’t act too much like the proud chef who scoffs at the patron who orders a well-done steak, because in this business the customer is always right. I myself actually appreciate sentimental pieces because they are usually unique and have meaning beyond what others would understand. But typically sentimental pieces and resale value do not go hand in hand.
You’ll notice the flat bottom surface that I have cut into the stone with grooves on either sides to accommodate the half moon section on the ring. Keep in mind that I still have to cab the stone flush on the top section of this ring. (you’ll be seeing this picture again down the home stretch of completing this job.)
I don’t know if you can tell from this side view but you can see the level of difficulty of this job. And this isn’t even the hard part.
This is where I have to build a yellow gold bridge, flush with the round curvature of the shank with a flat top so that flat bottom sits in the new constructed support bridge. By doing this, you close off the gaps you can see in the image.
As you can see, the bridge on both sides have been built in the image. I’m using a hand tool to adjust and make the newly added sections straight. It’s more of a trial and error process of fitting the stone till all the gaps are closed off.
I finished building the bridge sections on the yellow gold ring and then polished the bottom of this Garnet. In the image I’m polishing the concave sections of the stone. This process is vital to achieve that translucent effect. It comes in handy when you want the light to reflect through the stone. It’s perfect to accent the gallery. Quite the illusion I must say. The next step in completing this piece is gluing the Spessartite Garnet, waiting for it to harden, and starting to lap the stone to a flush finish. I am preforming the Garnet to the desired shape.
I must admit, this ring is coming along fantastically! I had my doubts, I can admit to that. The level of difficulty was high and the added pressure of cutting the stone incorrectly wasn’t helping my cause. If you notice on the side shot, you can see the flush look I was aiming for and you can see the bridge closing the unwanted gaps. Flush on top, flush on the sides, with a nice domed feature. The next process is polishing the Garnet and giving it that smooth surface and stunning shine.
A little forced, free hand friction with a little water, and a high speed disk with a diamond grit belt and you get…
Was that a climatic build up? I tried, honestly, but this sucker came out stunning and is such a ‘one-of-a-kind’ ring. This ring is going to be a collection piece to whoever is going to own it. It may seem like I was complaining while I was writing this blog, but as I was putting my words to this blog, anxiety kicked in. My apologies. I’d honestly blog so much more about all the different things that go through my workshop but somethings I’m not privileged to share such information. But, little gems like this come along and I’m lucky enough to share my words and images in my own domain with my own rules. Till next time…
November 13, 2012
Here are back to back blogs just to make up for the silent treatment I’ve been giving you guys. My Instagram blog was just to promote myself on the photo sharing application. Self plugs on my own blog is always acceptable. Anyway, this blog is a good one. I’m going to share my experience making this custom men’s ring that I made from scratch.
I get an email from one of my customers saying they need a size 11 men’s ring, custom made. So we get to talking and I ask for some ideas he had in mind. He first sent me an image of this Lapis rough that he’s had in his possession for many years.
He wanted me to build a ring around this piece of rough. I asked him to send me some ideas he had in mind for the ring. He starts to send me some images and I started to get an idea of what he wanted. Most of his images that I received looked like this ring was supposed to be heavy. I received some more images of some filigree style designs you’d find on antique picture frames. So, in my head, I was like ‘Ok, this seems like a project that I’m going to enjoy’.
Jobs like this are fun because it’s on the jeweler to design freely without sacrificing the attention to detail that certain projects, like this particular ring requires. So I pull out my piece of paper and dust off the art supplies and I start to design. A little back story on how I became a so called ‘artist’. When I was a kid, my mother used to drag me to work whenever I was off from school and in order to keep myself busy, I’d animate. I was heavily involved with comics and that inspired me to duplicate drawings of Spiderman and classic characters like that. Anyway, so this is what I originally came up with as a draft for this ring.
Here’s some close up shots of the ring. I gave my client a birds eye view and a 3D view of how the ring would look like.
He loved it for the most part but he wanted to remove some filigree twirls and add some sort of pattern on each corner of the ring. He also wanted the filigree to act like a setting and just sit on the stone. So I started to design an altered version of my original sketch.
Like I said, a rough sketch. He loved the little winged sections on each corner and how I incorporated each little section to act like a ‘prong’ or a bezel so this stone could sit nice and tight.
After he approved it, I started the process of bringing this piece to life. So I started the CAD process. ‘CAD’ stands for ‘computer-aided design’. This style of designing a wax with the aid of a computer came into the business about 10 years ago. It’s more accurate and spot on with the angles. Anyone can CAD but some people that CAD, don’t really understand the jewelry side to things. You need to know why the section needs to be there versus just drawing something. You need to understand the math behind it before getting into the CAD business.
It’s such a trip seeing your drawing come together like this, in CAD form. I went with a woven look to give some life to the shank. The customer loved my idea since I started incorporating it into my sketches.
My customer loved the CAD and approved it. So my next step is to send this CAD file to the wax printing machine. These machines will grow the wax from the ground up. It lays down the foundation and starts to grow your file, layer by layer. This ring took about 23 hours to grow.
So you got the bezel with all the filigree work on the left, the gallery in the middle, and the ring itself, on the right, all ready to be casted.
I made the bezel separate in order to fit the large Lapis, that I’m going cut, into the ring without damaging the stone itself. The stone has a few natural inclusions (cracks). It’s not recommended to set into a bezel setting when you are dealing with a fragile stone.
I showed the customer the wax that I grew, just to get him excited before I sent it to casting. He loved it and gave me the ‘OK’ to cast it in 18 karat, yellow gold.
The casting came out beautiful. But before I do any work on this, I’ll need to cut that Lapis rough into a cushion cut with a high dome and a checkboard cut.
I started the process of shaping the Lapis into the Bezel.
This is the final, ‘attention to detail’ portion where I’m getting the stone down to the millimeter in order to have it fit perfectly into the bezel.
After sizing the stone into a cushion cut and shaping the domed section, I started to process of adding facets to the Lapis. This is the finished look that I had envisioned in my head when I first thought about how the stone would look like on this ring.
After doing some gold work and adding the polish and finish to this ring, I was impressed how this 35 gram, 18 karat monster of a ring, came out. It sort of looks like a ring that would of belonged to an Emperor or some sort of royalty. The woven design on the shank adds flavor to the big filigree work on the bezel. This was a fun project I must say. The customer was pleased with the results and he almost cried when he saw it. It brings joy to my heart, knowing that work like this is still appreciated.
If you have any custom ideas that you’d like to bring to life, email me at Sako@cicadajewelrydesign.com but other then that, till next time…
July 30, 2012
On to my 31st blog post. I’ll just pat myself on the back for reaching this small milestone. My last blog post wasn’t up-to-par according to my father, the godfather of the gem cutting and inlay lapidary world. Touché dad, you were right. I blame writers block. Hopefully this post makes up for the last blog I put up. Let’s dive right into it then, shall we?
So I get this job where we had some non standard cut baguette emeralds that were sitting in a channel set setting on one side. On the other side of this ring, we had some baguette diamonds also sitting in a channel set. The ring had a large emerald cut diamond and a large emerald cut emerald acting as the two center stones for this old school accessory (probably dating back 50-70 years to my estimation). Before I continue, ‘non standard cut’ stones means that you wouldn’t find this style at your regular gem dealer. Standard cuts usually follow manufacturing guide lines based on increments of size change. I.E. 4x2mm, 5x3mm, 6x4mm, etc… That’s the easiest way to explain it for people not familiar with industry terminology. So for something like the size I need to cut down to, at 4.2×2.2mm, I’d need to find a stone close to that size. It’s always economical for me to find something that is as close as possible in size and weight. Every gem stone has some sort of market value set and and you multiply it towards the weight and you get the total worth of the stone itself.
With this particular job, the emeralds in the channel set were damaged from years of wear and tear, and the outside walls of the channel needed some laser soldering. Plus, to finish off the ring a nice high polish. You may be wondering where are all the pictures? (coming up below). I wasn’t planning on making a blog on a standard job like this but what unfolded, became a nightmare.
Before I hammered out all the emeralds to break them to start my process of cutting new emeralds for my setter to set into this ring, I took it to my jeweler to fill in the walls by laser soldering the area. While applying the gold solder onto the outside side wall, my guy calls me in to see what’s going on. We were all baffled with the current situation we were facing – the metal started to crack and flake.. I did a little research and it turned out this ring was nickel plated. So here’s my educated guess on what was done to this ring (I might be wrong but it makes perfect sense). The ring was originally 18karat white gold and whoever owned this ring decided to nickel plate the piece. Why would you do that? My guess is that when you nickel plate something, it produces a crazy shine that sterling silver gives off and it’s way cheaper versus plating something in gold and silver. Nickel plating consists of copper, nickel and zinc properties. Economically speaking, it sort of makes sense. My customer didn’t know it was nickel plated and nor did I. This is where I started to think this job was ‘blog’ worthy.
Notice the indentation on the wall? That’s where I’m supposed to fill it in with the laser solder process.
You can sort of tell some of the emeralds are damaged from the image but take my word on it, they were all either chipped, cracked or damaged in some sort of way. You can even see on top of the wall of the channel there is a bit of damage as well.
What we decided to do is rebuild the whole channel from scratch, lap off all the nickel plating, and build a new support system and new channel for the new emerald baguettes. If you take a look, the large emerald cut emerald center stone was removed to avoid damage that heat and any stress would cause the stone. Emeralds are very fragile and few brave setters dare take on such a task of setting these stones. They’re loaded with tons of natural inclusions you can visibly see and not see so you have to be careful setting them or they will break on you.
The walls are slightly higher then the rest of the ring because it gives the diamond setter more flexibility while setting and it would be eventually leveled out and made flush with the rest of the ring.
So we started to set the baguette emeralds into the channel. In situations like these, it’s always great to have your setter close by when working on jobs which require each stone to have a special measurement in order to accent the limited space you have to work with. The setter would tell me ‘trim the stone from this angle a little bit’ and we’d go from there.
I’ll let you marvel a little so I can stop rambling.
This monster of a ring turned out just fine. It’s like I restored an old car back to life with some modern touches. The customer was extremely happy with the results, after some unexpected hiccups on my end, but it was well worth the trouble. The owner of this ring should be proud sporting such a classic on their finger.
So this is where I want to plug myself via my Instagram page to expand my viewership . If you have instagram, look me up at ‘CJD_Sako‘ or click on this link here, http://followgram.me/cjd_sako/ which should take you to my profile. I’m not sure you can follow someone via a home computer but from what I read, followmegram.me allows you add a user without a phone. For my next blog, I’ll be doing a unique Instagram special on all the jewelry items I’ve posted on the site. Some of the filters really make my work look like something out of Vanity magazine. Anyway, if you have any questions, comments or concerns or even suggestions on what you’d like me to chat about, let me know, leave a comment on this blog or email me at email@example.com. I can help you out with all your needs.
Till next time…
July 10, 2012
This is by far the biggest lag I’ve had between blogs. I promise to put them out more regularly. Hope you all had a good and safe 4th of July everyone. I’m just going to start this edition of my blog with some of the stuff I’ve been fiddling with in my shop. So let’s get straight to it then, shall we? So I’ve been cutting some onyx into these earrings for a designer that I shouldn’t really mention on my blog (the photo is my only hint to who it is.).
The onyx sits into the channel with a slight angle. In order for the onyx to sit into the slot, I was forced to slide it in from the side rather from the top – the normal side when it comes to inlay lapidary . Once the onyx sits into the channel, I start the process of lapping the onyx flush with the piece.
So I got this yellow gold ring that needed some a new enamel applied to the side of the shank. For those who aren’t familiar with enameling, it’s the process of heating powdered glass at temperatures between 1300 to 1500 fahrenheit, which causes the powder to melt, flow, and harden. Color is added with various minerals in the mixing process. I’ll get into more enameling talk some other time.
So basically we need to remove all the old enamel and re-enamel the middle area of this ring with the same colors to match the original colors that were put into this ring.
The red enamel with the blue dotted area showing the detail of the work and the whites in the hands was just half the work that was needed. My customer needed blue enamel filled where the writing wraps around the top of the ring.
The ring came out great and the enamel gives it that pop which brings out all the details that are on top of this ring. Apparently, this is ring has some religious undertones, which seem pretty interesting.
So this customer wanted me to cut some onyx and inlay it into the white gold frame with a dome cut and then add facets on top. (Yes, it’s shaped like a bear). The white tape on top of the onyx is my guide to make life easier until I get my hand tool and put the details into inlaying this onyx shaped bear to fit into the white gold piece.
I received this white gold diamond ring with onyx inlaid around six pieces of princess cut diamonds. This is tough to do and you’re bound to break a few of the onyx pieces when you attempt to inlay it into the ring. On the bottom of this picture, there is the old onyx that was inlaid previously by me about 10 years ago maybe? I’m impressed this ring lasted this long. These are actually old ‘Simon G’ rings that I used to inlay back in the day so It was a surprise to see it come in for repair from a different customer 8-10 years later.
This stunner of a ring with a gorgeous antique look I’ve been working on needs elongated sapphires that I need to cut into each side of the shanks to be set. Should be fun and I’ll keep you posted on that one.
This is my little tray of stuff that’s in process. There is a heart shape pendant that I’ve cut two pieces of crystals with loose diamond bezels that sit in the middle, between the crystals for the pendant. There’s some inlaid rings that need to be lapped flush with a high polish finish. A Black star sapphire that needs a nice polish to get that star shining in the middle. And an emerald and diamond ring that I’ve been working on. I rebuilt the channel holding the emeralds and supplied new emeralds and set them in. I’ll blog about that soon.
This octagon shaped emerald cut emerald is a thing of beauty.
It’s about 11 carats in weight and my customer wanted me to polish the table and crown facets of this emerald. After I polish it, I was asked to oil the emerald to bring out that Colombian color that makes it such an expensive stone to own.
I used some flash in this image to bring out the color on this emerald. An olive green color that collectors go after. If you guys have any questions regarding the jewelry world or the gem cutting and inlay lapidary world, feel free to ask away. This blog is meant to give you a better understanding on the jewelry and gem world and the man hours that are put into works like these. I try to simplify things and avoid sounding like a robot. I want your reading experience to be organic and have you, the reader, know there’s someone real behind these words. Till next time…
February 28, 2012
This is my first attempt at posting a mini blog, if you can call it that, off of my WordPress application off my phone so bare with me. I’ll be doing a lot more to keep this blog active.
I supplied about 30 square step cut sapphires with extra just incase my diamond setter breaks some. I re-cut them into French cut tops and slightly tapered the sides of the stone so it can sit side by side with no gaps when my setter sets them around the eventual diamond that will sit in the bezel. These stones are all machine cut to the millimeter to improve accuracy.
Cheers for my first mobile blog post and many more to come.
February 28, 2012
At a snail’s pace is more like it. Fits well with the title of this blog. I’m horrible at keeping this thing updated. Have no fear, I’ve got a belter of a blog for you. Before I begin, can I just say that I’m still fuming with the Grammys. What a shocking award show. The only reason it got ratings is because Whitney Houston passed away the night before. Nicky Minaj, what the hell was that??? Horrible, horrible, horrible. Sorry, I consider myself some sort of musician and that was an insult to struggling musicians out there.
To the blog we go! So I got this crazy looking yellow gold onyx ring that needed a matching section supplied and cut.
The middle channel of the ring is set with a bunch of diamonds .
I don’t know if your imagination is as vivid as mine but the onyx looks like a snails shell, no?
There it is. The missing section where I’d need to cut a piece of onyx. Here’s the thing. Onyx is moderately priced but the time and labor is what you’re really paying for to have this piece look brand new again. If you’re still confused, continue reading and you’ll see the process, step by step on how it’s comes into fruition.
If you notice the original loose, broken piece of onyx that used to be in the empty section of the ring. I need to match that broken piece.
This is my favorite picture and angle. Look how the wall curves in and the foundation of where the onyx should sit curves. That’s where some of that labor goes because I have to manually shape it with my hand tool. If you keep reading and scroll down, you’ll see what I’m talking about.
So I eventually got my piece of onyx rough and I started to grind away on it.
It’s a trial and error process (Though I try to avoid the ‘error’ part). That piece of white tape I crazy glued to the onyx is my guide for me when to stop grinding away without starting all over again with another piece of rough.
The wheels spins so fast that anything you put against it will cause friction and that’s not good when dealing with gemstones. So it needs a water pump to deliver water onto the spinning disk to kill any heat when a piece of gemstone comes into contact. Hence the water, in case you were wondering.
Once I’m done with my grinding session, I take the stone to my bench for detailed work so I can get it to sit properly in the ring. I have my hand tool here with a special diamond grit drill bit to give me that curvature I’m looking for.
The drill bit has a sort of cone shape to it. Each section of the bit has a different purpose when using this kind of shaped bit.
Hey look, it’s starting to fit.
I used flash so you can see the wave like shape I need to create so it hugs the wall of this ring.
And it fits nice and tight. Here comes the fun part.
So I went back to my lap diamond grit disk and shaved it down to a close matching shape before I can get to use my hand tool to start carving out the swirlly snail shell shape.
Honestly, nothing scientific here. I used a pencil to map out the exact match of how I needed to cut into this piece of onyx.
Another favorite angle of mine that helps me explain the process. It shows the different layers and rounded curves I cut into the onyx for that match I’m looking for.
Pretty damn close, no? It’s a match alright. Now to manually lap and shape the onyx with my hand tool and then switch to a polishing cloth bit to give it that matching high polish look.
Done. This job took about 8 hours to complete. Time and labor. Just talk to your mechanic if you don’t believe me. The customer loved it, it turned out great, and I’m thrilled I got to share this little project of mine with guys. Till next time…
January 17, 2012
A broken record. That’s what I’m starting to sound like when the time comes to explain my reasons on why I’m not delivering on my blogs. I’ve had this blog ready to be written for a month now but I’ve been too busy with the whole Christmas period of the jewelry world that my blog was put in the back burner and I neglected it. Better late than never. Fear not, it’s back and hopefully with a bang. They say 2012 is a year of risks, so what better way to start my blog then to get controversial.
Part of me wants to support the whole movement of ‘Occupy Wallstreet’ and part of me wants to tell these people to get a job. I honestly don’t know where I stand on this topic and it’s such a sensitive one to voice your opinion on. I believe in the notion of ‘fighting for your rights’ and protesting for what you believe in. The protests have focused on social and economic inequalities, high unemployment, greed, as well as corruption, and the undue influence of corporations – particularly that of the financial sector of the government. Very commendable. However, this is a jewelry blog and the annoyance that I dealt with with the daily traffic because of the “Occupy’ movement was unforgivably horrendous.
In the end, it is what it is, and you all got kicked out of your occupied areas as it became a health hazard. Maybe fight your causes in different manners by using the given social media tools to your disposal. Petitioning seems to work but then again, what the hell do I know? I have a job that I bust my ass off for and with these difficult times, I’ve learned to adapt. There’s always room for improvement. I don’t want to come off as insensitive, but if plan A isn’t working out for you, always have a plan B. Am I making sense? Who knows. But what I do know is that this isn’t a political blog and I wish the ‘Occupy’ people luck with what they’re trying to accomplish.
Fast forward to today and this is how Occupy Los Angeles looks like. I tried my best to take some good shots and some are drive-by style shots while waiting for the light to turn green but you get the feel of it.
Anyway, as of late, I’ve been working with these beads for a bunch of Shamballa bracelets I’m in the process of making. Here’s a little teaser of some of the material I’ve been working with.
You got yourself some Howlite and Coral beads which are perfect for making Shamballa style bracelets. I’ll get into more detail in another blog when I have my custom pieces finished for a new Shamballa line that I’ll be coming out with.
I just love this. The wild wild west but in modern times. This is how they roll in Downtown LA these days, assuring your safety in the jewelry district. Thought I’d share this image to get a little chuckle out you folks.
So I get a request to cut two matching Rudilated Quartz, pear shapes for some designer. Here’s the catch. The table isn’t your ordinary flat table. I had to have the table cut in a concave style cut. What is a concave cut? I’m glad you asked for those who do not know. A concave cut is curved rather than a flat facets, resulting in a more brilliant gem.
You got yourself here a matching pair concave cut rudilated quartz.
I tried to give you the best possible angle so you can see the curvature of the table.
Those lines you see in the quartz is called a rutile. It’s made up of titanium dioxide and it often appears as needles of included color. Who says you don’t learn anything from reading this blog?
Yes, those are sleeping beauty turquoise sitting in a tray. I specialize in manufacturing turquoise to calibrated sizes and fancy, special order style cuts, depending on what that designer in you wants to create. In that tray, you’ll notice I’ve made a bunch of matching pairs for earrings and pendants.
The cleanest G shock customized face I’ve seen in the market. Don’t mind the arm hairs (and don’t mind the date, I haven’t adjusted it). It comes from those Armenian roots I’ve inherited which isn’t a bad thing and it sometimes has it’s perks. We have an iron chef Geoffrey Zakarian to claim now which is amazing. Anyway…
I made some more Lena Wald rings for an order over the Christmas period. You got yourself some size 7 finger size, Turquoise and Ruby cigar band rings with a smooth surface which are about 18mm wide with silver linings.
Talk about a nightmare job…
This custom ring turned out to be a headache job. I don’t know if you can see in the image itself but the open corners with no sapphires in them are supposed to be cut into millimeter perfect tapered cuts, which I specialize in.
I laid out the princess cut square sapphires for you so you can see how many I needed to cut into tapered cuts.
Here’s another look at it.
If you were wondering what that smudge was on the top corner of the ring is, I applied wax to the tapered cut sapphires so the setter can know where each stone goes
The empty rows are meant for pave set diamonds and the center is for a big diamond that’s going to be sitting in the middle of this hexagon shaped ring. Gotta love custom work sometimes.
Here you got this eternity style band that has a twist shape to it. You’ve got some round black diamonds set on one section with milgrain work and bezel set round white diamonds set in a 14k ring.
And that should do it for this particular blog entry. I just want to wish you all a successful and better 2012 and hopefully the Mayan’s are wrong. Till next time… (next week hopefully)