Orange shaped Triangle

January 3, 2013

‘Another year, another day’ is usually the saying that I go by to start off my first official work day back into the so called ‘daily grind’ of life. Nine out of ten times, I’d agree with that saying but this year seems like it’s going to be a different year. Unfortunately, 2012 didn’t really seem to end on a high with all the tragedies happening around us. It was heartbreaking just reading about all these horrible things that was happening in our society. But, we are human beings and we do tend to pick ourselves up when faced with adversity. The way 2012 ended for me as a whole was on a positive note. I was busy as hell during the Christmas rush period that the jewelry industry faces around the months of November and December. Yes, it isn’t what it used to be in terms of volume of work that used to show up on my doorsteps but, times have changed and would you look at that, I’m writing a blog to share my work and help people understand the labor side of my industry. Before I get into my first blog of 2013, my heart goes out to those who lost their lives and the family and friends that were affected with these horrible tragedies.

Now on to the business end of my blog. Orange shaped Triangle? I know my blog titles are sometimes tacky but they do tend to blend in with the subject that I’m writing about. So I get this job order to make some custom made cufflinks, in 14 karat, white gold. Simple right? Not really because the customer wants me to supply and cut orange sapphires, set in a channel setting with black mother of pearl cut into the bezel which sits in the middle of these cufflinks. It sounds so simple and standard but for some reason, jobs like this always ends up on my doorsteps. If anyone knows anything about how hard it is to find baguette shaped orange sapphires, they should know how difficult this job really is. There is no such thing as baguette shaped, orange sapphires because there isn’t a demand for it so none of my suppliers would have these stones, sitting around,collecting dust. My next option would be to find oval shapes sapphires large enough to cut down to the size I need. Seems simple, right? No, it isn’t simple. You need enough pieces, which in my case, 30 pieces that match in color and size. The size that I need are 6x4mm oval shapes which then, I need to cut down to some special cuts which involve tapered cuts and what not. Okay, so oval shaped, 6x4mm orange sapphires seems easy enough right? First of all, to find 30 pieces that match in color is going to be a difficult task. This requires me to find a few suppliers that carry orange sapphires.

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Fast forward the boring and annoying parts and I went through three suppliers and I found myself 32 matching 6x4mm oval shaped stones.

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So here comes the fun part. Mapping out how I’m going to cut these sapphires. There are three corners in a triangle, obviously, but for those who didn’t know, you’re welcome and you can thank me later for your geometry lesson for today. I tried cutting a large diamond shape for each corner and it looked ugly so my next step was to cut that diamond shape that I originally thought would work, in half. So each corner would need 2 stones, sitting flush, next to each other, supported by the bezel walls.

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Here you got my pops cutting the sapphires to the sizes that I need.

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He’s changing out the wheel so he can start polishing each facet he put on the orange sapphires.

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As you can see here that having a large stone on each corner would make it look so bulky so cutting the sapphires in half just made it look so much better.

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My customer approved on how we were going to cut the sapphires for all three corners because frankly, it looked ten times better. After I got the okay, my father started the process of cutting the other 10 stones for each corner of the cufflink pairs.

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After cutting the sizes needed for the corners, my pops polished the sapphires. The next step is where your setter comes into play. This is the part where you pray that you have a good setter that knows how to work and set colored stones so he doesn’t end up breaking the stones. This isn’t your ordinary channel setting so it’s vital your setter is a seasoned veteran when it comes difficult jobs like this.

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‘On the money’, so far, with the setting job. You start to get excited when your job is starting to come to life. The next process is cutting six pieces for each cufflink, so twelve total for the pair, of baguettes. tapered cut on one side only to sit flush with the corner sapphires. That should leave you with the middle section open where a straight baguette should sit, which is 6 total for the pair of cufflinks. This is the part where I fast forward the setting process and just show you the finished product.

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Amazing. ‘On the money’ job by my setter again. So for the final part of this special order, I supplied and cut some black mother of pearl for the middle bezel section but I did not glue it just yet. I had my jeweler polish and rhodium the cufflinks so that all I had to do was just glue the mother of pearl into the bezel. Fun fact of the day, rhodium ruins mother of pearl.

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Here’s my dad gluing the black mother of pearl into the cufflink.

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Beautiful. I mean, it’s not something that I would wear personally but the amount of time and effort and the years of experience and skill that takes to complete a special order job like this to perfection, isn’t always appreciated. My customer loved the cufflinks and that’s all that matters.

On that note, I want to wish you all a successful and happy 2013 and hell, the Mayans were wrong, the world didn’t end and I’m thankful for that. Till next time…

Emerald Aisle

July 30, 2012

On to my 31st blog post. I’ll just pat myself on the back for reaching this small milestone. My last blog post wasn’t up-to-par according to my father, the godfather of the gem cutting and inlay lapidary world. Touché dad, you were right. I blame writers block. Hopefully this post makes up for the last blog I put up. Let’s dive right into it then, shall we?

So I get this job where we had some non standard cut baguette emeralds that were sitting in a channel set setting on one side. On the other side of this ring, we had some baguette diamonds also sitting in a channel set. The ring had a large emerald cut diamond and a large emerald cut emerald acting as the two center stones for this old school accessory (probably dating back 50-70 years to my estimation). Before I continue, ‘non standard cut’ stones means that you wouldn’t find this style at your regular gem dealer. Standard cuts usually follow manufacturing guide lines based on increments of size change. I.E. 4x2mm, 5x3mm, 6x4mm, etc… That’s the easiest way to explain it for people not familiar with industry terminology. So for something like the size I need to cut down to, at 4.2×2.2mm, I’d need to find a stone close to that size. It’s always economical for me to find something that is as close as possible in size and weight.  Every gem stone has some sort of market value set and and you multiply it  towards the weight and you get the total worth of the stone itself.

With this particular job, the emeralds in the channel set were damaged from years of wear and tear, and the outside walls of the channel needed some laser soldering. Plus, to finish off the ring a nice high polish. You may be wondering where are all the pictures? (coming up below). I wasn’t planning on making a blog on a standard job like this but what unfolded, became a nightmare.

Before I hammered out all the emeralds to break them to start my process of cutting new emeralds for my setter to set into this ring, I took it to my jeweler to fill in the walls by laser soldering the area. While applying the gold solder onto the outside side wall, my guy calls me in to see what’s going on.  We were all baffled with the current situation we were facing – the metal started to crack and flake.. I did a little research and it turned out this ring was nickel plated. So here’s my educated guess on what was done to this ring (I might be wrong but it makes perfect sense). The ring was originally 18karat white gold and whoever owned this ring decided to nickel plate the piece. Why would you do that? My guess is that when you nickel plate something, it produces a crazy shine that sterling silver gives off and it’s way cheaper versus plating something in gold and silver. Nickel plating consists of copper, nickel and zinc properties. Economically speaking, it sort of makes sense. My customer didn’t know it was nickel plated and nor did I. This is where I started to think this job was ‘blog’ worthy.

Notice the indentation on the wall? That’s where I’m supposed to fill it in with the laser solder process.

You can sort of tell some of the emeralds are damaged from the image but take my word on it, they were all either chipped, cracked or damaged in some sort of way. You can even see on top of the wall of the channel there is a bit of damage as well.

What we decided to do is rebuild the whole channel from scratch, lap off all the nickel plating, and build a new support system and new channel for the new emerald baguettes. If you take a look, the large emerald cut emerald center stone was removed to avoid damage that heat and any stress would cause the stone. Emeralds are very fragile and few brave setters dare take on such a task of setting these stones. They’re loaded with tons of natural inclusions you can visibly see and not see so you have to be careful setting them or they will break on you.

The walls are slightly higher then the rest of the ring because it gives the diamond setter more flexibility while setting and it would be eventually leveled out and made flush with the rest of the ring.

So we started to set the baguette emeralds into the channel. In situations like these, it’s always great to have your setter close by when working on jobs which require each stone to have a special measurement in order to accent the limited space you have to work with. The setter would tell me ‘trim the stone from this angle a little bit’ and we’d go from there.

I’ll let you marvel a little so I can stop rambling.

This monster of a ring turned out just fine. It’s like I restored an old car back to life with some modern touches. The customer was extremely happy with the results, after some unexpected hiccups on my end, but it was well worth the trouble. The owner of this ring should be proud sporting such a classic on their finger.

So this is where I want to plug myself via my Instagram page to expand my viewership . If you have instagram, look me up at ‘CJD_Sako‘ or click on this link here, http://followgram.me/cjd_sako/ which should take you to my profile. I’m not sure you can follow someone via a home computer but from what I read, followmegram.me allows you add a user without a phone. For my next blog, I’ll be doing a unique Instagram special on all the jewelry items I’ve posted on the site. Some of the filters really make my work look like something out of Vanity magazine. Anyway, if you have any questions, comments or concerns or even suggestions on what you’d like me to chat about, let me know, leave a comment on this blog or email me at sako@cicadajewelrydesign.com. I can help you out with all your needs.

Till next time…

Armored Innovation

November 16, 2011

This post was supposed to be up 2 weeks ago but I’ve been lagging it. I don’t buy into the whole notion of saying ‘I don’t have time’, because you can always make time for anything you put your mind to. I either fire my secretary, which I don’t have, or I learn how to schedule myself better. Anyway,  I always love coming up with different cuts that’s not in the norm. They’re usually special cuts to inspire that designer in us all. Shapes that you won’t find in the market because there isn’t a demand for that shape. Well, I was inspired to come up with this new cut that looks like a shield so I named it a shield cut because me being the artist/designer, I have to exercise my artistic freedom.  If you have a vision I can shape your creation so feel free to ask me or send me your requests. Ok, enough selling myself, time for the good stuff.

First off, I’m a fan of Amethyst. One, it provides me with a wide range of that purple hue color that I’m a fan of. Two, It’s affordable and I have a that freedom of trial and error without killing my pockets. You can waste a lot of money if you’re not trained when mapping out where and how to cut your piece of rough so take your time and map out the steps when dealing with the cutting process.

So here’s my piece of rough I chose. This particular Amethyst is a ‘rose de france’ amethyst. The color is reminiscent of a lavender lilac shade which is a lighter color that usually comes from the Amethyst family.

This is the process of slicing. I need to slice this piece of rough in order to get my desired section I choose to preform the stone out of.

This diamond grade disk is spinning at a high RPM. Water is needed to cool off the friction this process causes.

Take your time when pushing the piece of rough through the disk. You don’t want to break the stone and don’t want to lose a finger in the process so be cautious if you ever decide to slice.

So I sliced through the rough and notice how clean it came out.

I displayed the two pieces of sliced Amethysts for an up-close, personal view so you can to check out the aftermath of the slicing process.

After the slicing process, I started to preform the Amethyst. I started the process by hand until I got the desired shape I’ve been looking for. I then transferred the stone to my dop stick (check out one of my older blogs by clicking on the link to get the terminology, I.E. ‘doping stick’ by clicking here.) for a more controlled and measured feel to the shape I was aiming for.

If you can see here, I’m cutting rounded inward grooves into the girdle (the side of the stone which separates the top from the bottom of the stone).

I got the rounded areas done. This is that time in this process where you really start to get excited by the way it’s starting to take shape.

The next step for this rose de france amethyst is to start cutting some facets into it.

I’m touching up the rounded sections on the girdle.

I added a regular table to the top of the amethyst but I wasn’t too pleased with the outcome so I decided to go with a double-sided checkerboard rosecut to the stone.

I love the ‘trial and error’ process. I’m honestly satisfied with the final product.

Why put the inward, rounded grooves into the stone you ask? I don’t know, maybe I can build something with bezels that snuggle perfectly into those grooves or have some sort of prong or build some weird bezel? Who knows, it all comes down to your artistic innovation – when that designer in you comes out to play.

Till next time…

Fried Chicken and Gems

October 24, 2011

Fried Chicken? Really? Once I saw this picture, I had to share my thoughts on it. Some of you may or may not know who Nicki Minaj is but for those who don’t know who she is, she is a pretty big recording artist. I don’t want to call this a rant but more of a funny mention to what she was sporting around her neck recently. Just have a look at the image below.

I don’t know what to say. If someone asked me to make them a special order of some fried chicken necklace, of course I’d be happy to make it, but this is just too funny. This necklace is perfect for the trending topic of #hoodmemories on Twitter as I type this. Over the top? Yeah, it is. Fits her character? Of course it does. In the end, I’m not going to sit here and judge someone on what he or she decides to flash in public and I always go by the saying, ‘whatever makes you happy’.  Moving on…

I’m stuck and honored with the duties of trying to figure out what kind of center stone I can put into this white gold ring I made for a customer of mine. All they said is ‘something yellow’ in a cushion cut with a certain budget they want to stick by. I was thinking of something like a yellow ceylon sapphire or a yellow tourmaline. Any suggestions? This is the part where you help me decide with your suggestions.

It’s a beautiful and elegant looking ring that deserves something nice in the middle. One of the perks of being a gem cutter dealing with special orders is that I have the power to cut any shape and size to my needs and nothing holds me back when dealing with jewelry related problems like this one.

I have this obsession with showing off Tanzanites in my blogs for some strange reason. Well here’s another one for you viewing.

This 20 carat plus monster of a stone needs more life to it. No disrespect to all the hard workers over seas but most of the stuff I see cut from Asia and India is way below par. They are told to cut to preserve the weight while sacrificing the quality of the cutting job. I’m a big advocate of USA made products when it comes to the jewelry world. This topic is a perfect intro to the following images you’re about to see.

I don’t know if you can tell from the image but this is a parcel my customer received from their factory in Thailand and my first glance at these multicolored sapphires, I thought to myself, ‘were they drunk when cutting this?’

The cutting is awful, the person who maps out from where to cut the sapphires from the original rough, should be fired. These sapphires are filled with inclusions that leaves a bad taste in your mouth.

It’s my responsibility to re-cut and salvage these sapphires so that they can be presentable and can easily move rather then collect dust in some parcel bag in some stone dealers safe.

Next week, i’ll be showing you a detailed look at this special new cut I’ve been cutting. Till next time…

Modern ROCKer

June 24, 2011

Busy. This is somewhat of an rare occurrence in the jewelry world during June at times like these. I’ve been busy finishing up some inlay work with some gem cutting and my special orders have picked up as well for me. I’m not complaining nor am I not getting ahead of myself,  just keeping it ‘solid’ – as a UPS security guard named Jay once told me. Work used to show up on my doorstep back when it was real good. Now, you have to chase after it. Times have changed and most of you reading this are being introduced to my blogs via email while I try to generate interest in the work I do. But I digress. This blog entry is an homage to one of the most exclusive Los Angeles jewelry designers I’ve had the privilege to work with. Lena Wald, the Modern Rocker.

Who is Lena Wald? As always, I’m glad you asked. She graduated from Sarah Lawrence College in Bronxville, New York. Like most of us out there, we have a puzzled look on our faces after we graduate asking ourselves, ‘what the hell now?’ Lena always had an interest in the arts so she moved back to LA where she started doing wardrobe styling for commercials, print ads, etc. She later moved into the magazine world working for publications such as L.A. Style and InStyle. Over time, she realized that the magazine industry was not for her. But she always had an interest in fashion and design. So she pursued a job at Richard Tyler (a fashion house in L.A.).

Lena was hired as the assistant to the fabric buyer Lela Rose. After 3 months, Lela Rose left to start her own clothing line and Lena was promoted to fabric buyer. She saw this as a great opportunity to begin making a name for herself. Along the way, she met some of her closest friends at Richard Tyler and made some incredibly good contacts. Her job allowed her to travel to Europe twice a year for fabric shows.

After three years at Richard Tyler, she felt like she gained enough experience to start a jewelry line. (This is where I come in). Lena’s ideas usually begin with something that she wanted to make for herself to fulfill her unique style. She wanted a ring carved out of a solid ruby. The 1st sample she made, came out so well, that she brought the idea to Maxfield (A prominent fashion retailer) and they immediately placed an order. The rings are made from natural stones, such as turquoise, ruby, black onyx and crystal. She was fortunate enough receive press in W magazine, Vogue, Bazaar, Elle, and other famous publications. She began to further expand her line to include necklaces and bracelets. But then she had a completely new idea which spawned from her need to get herself some diamond-initial earrings.

Here’s Lena Wald’s Vogue magazine spread.

People love anything personalized. You name it and you can get it personalized to your liking. The earrings have been very well received by stores and their customers. Even Cameron Diaz wore her ‘C’ and ‘D ‘ earrings to the Oscars.

look who’s ring she’s wearing. This was a screen shot from the movie called “The Sweetest Thing”.

These are the diamond initials and charms from Lena Walds line.

This line has expanded into many different styles of trend setting necklaces and earrings made in yellow, rose, and white gold with a choice of either plain, adorned with diamonds, or set with other precious stones.

Lena’s business has grown significantly over the years and many stores and websites carry her jewelry worldwide.  She has a great following among stylists and many celebrities have been seen wearing Lena’s jewelry including Kate Moss, Gwyneth Paltrow, Madonna, Kate Bosworth, Charlize Theron, Reese Witherspoon, Katie Holmes and according to Lena, her favorite out of the bunch, the first lady, Michelle Obama.

Hope you liked my little introduction to the Modern Rocker herself, Lena Wald. Now on to this onyx I was commissioned to make for Lena. I can’t give you a 100% breakdown and you’ll notice certain steps are missing, but you’ll get a basic idea on the process that goes through making this ‘Cigar Band’ faceted onyx with silver lining.

The silver lining insert is at 7.5 finger size which will sit inside the onyx.

The silver lining surface is made purposely rough so when I glue it into the onyx, it will have a tighter grip to avoid sliding around.

I drilled through some onyx rough and glued the silver insert into the onyx.

The onyx was pre-formed to this perfect round, cylinder shape.

I cut the sides down to 18mm thick from wall to wall

Fast forward through all the cutting and faceting and you get this beauty!

Notice the domed curvature on the onyx.

The inside of the silver lining has a high polish to it.

The onyx walls are flush with the silver lining

I introduce to you, the Cigar band faceted onyx ring with silver lining.

Here’s another one I made a while back.

The turquoise material is called a spider web green turquoise

It’s beautifully cabbed with a gold lining insert with a high polish. Killer stuff!

And my favorite piece. The classic blue turquoise piece with a nice high polished cabochon with a gold lining insert.

I truly enjoy doing work for Lena Wald. If any of you out there that are interested in a signature Lena Wald piece, please feel free to contact Lena Wald direct at info@lenawald.com

Till next time.. (next week as always)

‘G.D.’ for those of you who don’t know is a  ‘Gem Doctor’. People come to me to solve their gem cutting and inlay lapidary needs. Hell, I even blogged about it here (click the link to view the ‘gem doctor’ blog). I have a quick blog for you guys I’d like to share. I get this customer coming in with a problem. He has a 55carat oval shaped Tanzanite. A monster of a stone with a cut so bad, he’s having a tough time selling it. Whoever cut this overseas, cut the stone comparable to the 5 dollar a day salary he makes. Look, if you have a Ferrari frame and put some Toyota Camry body kit on it, the car is going to look like a Toyota Camry. Get it? You get what you pay for. I don’t think you can tell by the pictures but this stone had the wrong cut, an uneven side to it, and wasn’t given the love it deserves. He wanted me to improve the cutting and I’m telling him it’s going to lose about 30 percent of the stone and thats about $3k worth of weight loss right there so he opted not to cut it and let the stone look like Shrek.

Beautiful color but as you can tell, look at the top left corner of the stone and you can see the uneven area.

The pavillion on this Tanzanite was cut into a portugease cut and it’s cut with a fat bottom to give it maximum color. Can’t tell from the image but it’s bad cutting.

… I’ll hand it to the stone, it has a great vibrant purple/blue color to it.

I also received this yellow gold diamonds set around the bezel style piece with a gold plate bottom. Customer wanted an 8mm thick, domed, rose-cut top with a slightly domed cabochon bottom Lemon Quartz. Done.

Slightly domed cabbed bottom

Hopefully by friday the 17th of June, I’ll have my monster of a blog including 20 pictures and a video ready. I made a rose gold, diamond pave piece with a custom cut onyx in the middle of the ring for a customer.

A little preview..

By the end of next week, I’ll be featuring some work I do for a great LA based jewelry designer named ‘Lena Wald’. So keep your eyes peeled for that one!

‘Cigar band’ faceted onyx with silver lining by Lena Wald.

As promised, part 2 of the blog I wrote last week, https://cicadajewelrydesign.wordpress.com/2011/02/09/greek-for-evil-eye%e2%80%9d-part-1/. (this blog could of been released yesterday if the internet server at coffee bean not crash on me…)

‘It’s like ‘rolling a joint,’ as our green friendly readers would say. This is the best way and technique to round out the lapis to that bead shape that I am aiming for….’

I added a small video clips to see how the process is done.

Next, I need some white mother of pearl. I find some white mother of pearl shells that I can cut material out of. I use my saw again to complete this process. I prep that part out and here comes the most difficult part. I need to pick three sections around this lapis where I need to fit free-formed, eye shaped white MOP’s. I carefully map out my spots and I get on my bench. I use a hand-drill and start opening a slot to where I can inlay this MOP. Oh yeah, I forgot to mention. I need to include a 3mm thick hole that goes through from one end to the other. That should be the first step in the process before creating inlay slots for the white MOP. When drilling into anything, water is your best friend. Friction and heat will cause things to break or crack. Keep that in mind when drilling gemstones. Anyway, after a few hours of creating inlay slots for me to inlay the mother of pearl; I check the whole stone to see if there are any cracks or inclusions that would break this thing. Everything panned out fine and on to the pre-forming machine. I get the white MOP close enough to ‘exact fit’ and move to the bench. With the hand-drill I slowly start shaving off the walls and see how and where I need this thing to fit into the lapis. It’s sort of a ‘trial and error process till you get it fitting completely. Once I’ve fitted all three white MOP’s into the lapis. I start the epoxy process, aka, glue.

I apply the epoxy to the walls of the mother of pearl and inside the free-formed slots and gently fit it into the inlayed area. Once you’ve finished the epoxy process, let it sit for a couple of hours till it hardens and sets. This part is pretty crucial. I need to drill a 2mm hole so I can inlay onyx into the white mother of pearls. I have an old school ashtray filled with water and a piece of graded rubber pad, all in the ashtray. I place the lapis bead on top of the rubber pad till its level with the water. I’ve changed the drill bit on the hand-drill to a 2mm sized bit and with one hand, I hold the bead, in the water and use my hand-drill with the other hand and I slowly puncture a hole into the middle of the white MOP. Success! Now I have another two to go, plus another evil eye bead! Hurray! (Yeah right… if something small goes wrong, I’d have to start all over again.)

Once I get my freshly drilled holes in place, time to insert 2mm sized onyx’s to fit for my pupils… Before I continue, I was having my coffee at the local coffee shop here in downtown Los Angeles and one of my coffee buddies was telling me a story about some Armenian liquor store guy. He had a giant evil eye hanging on the wall and he asked him, ‘Hey, what’s the deal with the big ol’ eye hanging behind you?’ The man grabbed an old, 8×10 photo and replied, ‘this is a picture of me when I was a child and I was told that I was a beautiful child at the time of the photo was taken.” The man then pointed at himself and said, “Do you see what happened to me after someone told me that I was a beautiful child? This is why I have the eye hanging behind me.” I thought I’d share that. I found it ironic and funny at the same time because I’m blogging about the evil eye. Anyway, I was just talking about how I needed to fit 2mm sized onyx into the slots I just made. I inlay them into each whole and add a bit of epoxy into the hole and stick the onyx in them and wait for them to dry. Take a look at the images to get a better idea on what I’m talking about.

I’ve reached the point where I see the finish line in the horizon and it’s time to shape these two beads with my cabochon machine and give it a nice shine. Once I’ve given the beads a nice rounded edge on both sides, I start the polishing process to give it that flush and smooth surface this ‘Apotropaic’ deserves. Done! I hope it was this blog was a good read and fed you information about different cultural beliefs and their practices and how a simple charm or jewelry could be found hanging on your rear view mirror. Till next time!

Deep Blue Sea

October 11, 2010

Round two of my blog takes me to a place where I enjoy going to. The deep blue seas of Santa Maria. Well, actually that would take me to one of the ‘most important religious centers’ in Barcelona, Espania. What I’m talking about is the Santa Maria Aquamarine which comes from the Brazilian Santa Maria de Itabira Mine. The Santa Maria Aquamarine. It’s the Ferrari of Aqua’s. If you’re a fan of the Aquamarine, this specific brand of Aqua is the most sought-after color due to the deep ocean blue color it has, hence the reference to my title of this blog (I was a bit creative with that one, I know). Aquamarine is, not too surprisingly, associated with water, (duh!) hence the ‘aqua’ in aquamarine. Anyway, it’s been known as a gem that bring sailors good luck and fortune. So if you’re willing to trade in that old rabbit’s foot and go for a more expensive style of luck, the aquamarine is the gemstone for you!

I came across a nice piece of aquamarine rough that I purchased a long time ago, and I decided to have a go at it. Any rough you deal with, you have to map out where you’re slicing and dicing in order to avoid the inclusions that, a) can crack the stone while pre-forming or faceting, or b)can bring the value down. After I Google mapped my aqua rough, I started to slice this thing up in order to get to my next step – Pre-forming. It’s the next phase when you start to shape the piece of rough on a lapidary disk. I decided to go with two trillion-cuts and two cushion-cuts. Take a look at the image below so you get an idea of how the rough looks like and the preformed aquamarines I just cut. Notice the deep blue color before I start faceting and opening up windows on the stone.

I started to facet the aqua and I just went with a standard table and I decided to cut the pavilion (the bottom of the stone) into a Portuguese cut (most Brazilian gem cutters like to cut the pavilion this way, hence the name of the cut). More facets the better. You could cut it into a step cut which is traditional but what’s done is done and my word, did the brilliance and the deep ocean blue, Santa Maria color come out! Don’t mind my photography skills on this piece but it’s one of those moments that ‘you have to see it to believe it’ and that’s how nice this thing came out. In terms of perfection, the aqua has some small inclusions in it but still a pretty clean stone and a beauty of a color. So if there are any casual sea entrepreneurs out there reading this blog, this is the stone to bring you luck out on the ‘seven seas.’ Till next time…